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Item type:Publication, El patriotismo de la mujer (1876) by Mercedes Cabello: Resignifications, displacement, and tension in the articulation of a feminist genealogy(Universitat de Barcelona, Facultad de Filologia, 2022-01-01)Este trabajo analiza el ensayo «El patriotismo de la mujer», de Mercedes Cabello (1876), desde una perspectiva feminista. En este texto, Cabello brinda una lectura monolítica sobre el combate del 2 de mayo, al tiempo que visibiliza el conocimiento soterrado que constituye la participación activa de las mujeres en la lucha por la patria. Así, me interesa detenerme en el cuidadoso proceso de resignificaciones del genérico «mujer» emprendido por la autora para articular una genealogía femenina y feminista atravesada por los desplazamientos entre los nominalismos y los genéricos (Valcárcel, 1994). Sostengo que es precisamente la lectura detallada de estos desplazamientos la que permite ponderar las particularidades, implicaciones y silencios del discurso-objeto-realidad del feminismo del momento. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Restorative memories, subjugated knowledge, and tensions within Mercedes Cabello de Carbonera, Clorinda Matto de Turner and Virginia Gil de Hermoso’s writings on war(Universidad Nacional de Rosario - Facultad de Humanidades y Artes, Escuela de Historia, 2022-09-01)This paper analyzes the texts (narrative and essay) of three Latin American women writers from the turn of the century: Mercedes Cabello de Carbonera (Moquegua, 1845- Lima, 1909), Clorinda Matto de Turner (Cusco, 1852- Buenos Aires, 1909) and Virginia Gil de Hermoso (Coro, 1856-1912). Amid their differences, these works converge in the topic of war. Moreover, they shed light on subjugated knowledge that fosters alternative forms of heroism, while making feasible the political agency of subaltern subjects (women, indigenous peoples, and farmers) and the advent of counter normative masculinities. By doing so, they not only confront the patriarchal system, but also the hegemonic projects of nation and modernity, portrayed in these texts as decadent and failed. Thus, they pave the way for the articulation of restorative memories that resist and confront the hegemonic historical discourse, while promoting paths for these minorized groups’ transit into modernity. However, an intersectional reading of these texts, with their claims and vindications, also reveals the silences and tensions of their agendas. Delving into these problematics contributes to a critical perspective of women writings on war in the turn of the century. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Champions of patriotism: la Perricholi in the voice of María Jesús Alvarado (1935)(Universidad Austral de Chile, 2022-01-01)The paper proposes an approach to the radio soap opera La Perricholi (1935), written by the Peruvian feminist María Jesús Alvarado. It seeks to show how the character of Micaela Villegas was used by the female author to intervene in the debate on political rights, access to education and paid work for women. This woman writer uses as her main strategy to position herself an alternative construction of this historical figure that had been read from many angles. At the same time, the dominant sentimental regime intervenes and proposes new criteria for the moral evaluation of female citizens. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, ¿“Feminismo razonable” o “nuevo cinismo”? Encuentros y desencuentros entre Judith Butler y Susan Haack(Pontificia Universidad Católica del Perú, 2024-12-10)The aim of this research is to make possible a dialogue between Susan Haack’s philosophy of science and Judith Butler’s queer theory. In order to do so, we will, in the first place, talk about the most important events in the history of feminism. Secondly, we will how this could have led to the emergence of queer theory. We will then take the problem of the body and of objective evidence as a guide for our analysis, in the third section of Butler’s position and in the fourth of Haack’s. As a conclusion, we will try to propose a dialogue between the two by giving a concrete example: the case of intersexual people. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Beyond seeing and listening: Children born from conflict-related sexual violence(Oxford University Press, 2024-11-01)This essay discusses some points made by the three books under review regarding how children born of conflict-related sexual violence have not been seen and listened to by those working in the field of transitional justice. To this end, it explores some of the reasons behind this oversight, including generalized assumptions about their relationships with their mothers, families and communities. It also discusses some of the limitations of the current transitional justice framework to address the plight of these children. Finally, the essay emphasizes the importance of analyzing more deeply the particular context in which these children are embedded. To this end it draws from some of the frameworks presented in the three books under review, which allow for a more capacious comprehension of the situation of children born of conflict-related sexual violence. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, El discurso amoroso de Luz Acmé, alter ego de María Jesús Alvarado, y la búsqueda del marido ideal(Groupe de Recherche Amérique Latine Histoire et Mémoire, 2024-01-01)En la primera y única novela que publicó, Nuevas cumbres (1923), María Jesús Alvarado relata la fundación de Ciudad Cumbre, una colonia modelo de la sociedad ideal que su creadora, Luz Acmé, instala “en las selvas ubérrimas de Oriente” y en la que habitan 10 000 colonos. Pero el tema central de la novela es la narración de la búsqueda de la pareja perfecta –el esposo, el socio, el amigo–, a quien por sus méritos Luz Acmé le otorgará el rol de cofundador. La sucesión de los pretendientes, aspirantes a formar parte de la pareja fundadora, y las razones por las que son rechazados –a excepción del último–, componen un discurso sobre el amor al que hago dialogar, en el presente trabajo, con los Fragmentos del discurso amoroso, de Roland Barthes. Me interesa destacar cómo la mujer, objeto amoroso en los Fragmentos de Barthes, adquiere voz y agencia en el discurso de Luz Acmé. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Basilia de Jesús y Magdalena Bentura: Mujeres carmelitas agentes de su propio arte en el siglo XVIII(Institut Français d'Études Andines, 2024-01-01)El artículo propone el estudio de caso de la obra Acvérdate de tvs postrimerías, y jamás pecarás (1704), lienzo perteneciente a la colección privada de las Carmelitas Descalzas de Ayacucho. A partir de la información brindada por la misma pieza, como el nombre de la comitente la Hna. Basilia de Jesús o de la posible artista Hna. Magdalena Bentura del Santissimo Sacramento, proponemos un acercamiento histórico-iconográfico y desde el enfoque de género. El análisis parte desde las particularidades que potenciaron la unicidad de la obra y el análisis del contexto de las dos mujeres consideradas como agentes culturales. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Women’s Solidarity as Feminism in Action: The Concept of Sisterhood (Sororidad) in #LasRespondonas, a Facebook Group in Peru(Taylor & Francis, 2023-11-15)Women in Peru are exposed on a daily basis to gender violence and exclusion. Several feminist groups have used social media to share information, debate, denounce, organize, and provide help to victims. This study analyzes the meaning of female solidarity, sisterhood or sororidad (using the Spanish term), as a feminist political concept among members of one feminist Facebook group. We reviewed how various feminist and sisterhood concepts are clustered together in group communications by analyzing publications and comments and even interviewing key current and former group members. We find the concept of sororidad to be central to feminist practice as it is a bridge between theory and politics. Moreover, it is viewed as a kind of ‘internal repertoire’ of the feminist movement, as a way to interact with other movement members (or comrades, partners, or sisters).