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Subject: search.filters.subject.Fútbol peruano

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    “Es un sentimiento, que lo llevo en el corazón, yo daría toda mi vida por ser campeón”: una aproximación a la expresión de la identidad de los hinchas de Sporting Cristal
    (Pontificia Universidad Católica del Perú, 2024-11-28)
    This research examines the identity of Sporting Cristal fans in Lima, Peru, focusing on personal identity, relational identity within the fan group (barra), and identity expression in other life spaces. For this purpose, qualitative methods were used, including in-depth interviews with six male and female fans, this study explores fans’ experiences, emotions, and sense of belonging related to the club. The findings reveal that fans’ personal identity with Sporting Cristal is rooted in family traditions, emotional connections, and shared values with the club. Their commitment is expressed through attending matches, purchasing club merchandise, and engaging in protests to voice their concerns. Within the fan group, fans develop close bonds, providing emotional and financial support to fellow supporters. However, female fans face challenges related to gender stereotypes within the male-dominated fan culture and navigate them by adopting masculine behaviors and relying on male allies within the barra. In other life spaces, fans balance their commitment to the club with family and work responsibilities, prioritizing in some cases their involvement in fan activities accordingly.
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    Hacia un archivo histórico de Alianza Lima: El rol de los coleccionistas
    (Pontificia Universidad Católica del Perú, 2025-09-16)
    This paper highlights the value of collectors in the reconstruction of the history of Peruvian sports and, in this case, of a soccer team. It is affirmed, on the one hand, that a collection fulfills a function similar to that of a documentary archive and, on the other hand, that it possesses heterodox and unpublished sources for the reconstruction of history. The essay discusses and showcases the work of four collectors in Peru. The description of their collections is parallel to theoretical counterpoints in order to show new ways to investigate the past.
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