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    "Trilce" de César Vallejo y la mujer moderna
    (Pontificia Universidad Católica del Perú, 2023-12-18)
    This article interprets Trilce (1922) by César Vallejo as a reaction to the emergence of the modern woman. By linking the analysis of the poems to a historical reconstruction of the changes that were underway in the social positioning of Peruvian women at the beginning of the 20th century, it explores the female figures of the mother, the sexual woman, the woman who has aborted and the voiceless woman, and shows how Trilce relates them to different aspects of time and modernity. Furthermore, it shows how, when facing these figures, the speaker makes himself visible, with bad conscience, as a subject who is not universal, but male. It is also in the face of these female figures that the poems signal that the encounter with the modern woman is what forces their own poetic style towards its most avant-garde innovations.
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    ¿Cómo es el sujeto? Crítica y clínica en los poemas de Oliverio Girondo
    (Pontificia Universidad Católica del Perú, 2022-12-23)
    This essay studies the representation of subjectivity in Oliverio Girondo’s poetry based on three types of figurations: the decentering of identity, the crisis of the will and the death drive. The analysis attempts to show, on the one hand, the importance that these representations had in a context that demanded unitary, coherent and productive subjects and, on the other hand, to locate the critique that this poetry addresses to modern reason. The essay lists the strategies elucidated to reconfigure subjectivity before the world, before language and before itself.