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Románticos peruanos y el conflicto con España (1864-1866)
(Ricardo Palma University, 2023-01-02)
Los románticos peruanos participaron en forma destacada en la producción literaria de los años 1840 a 1880. A pesar de haberse formado en un ambiente político contrario a España, heredado de las generaciones anteriores y de la Guerra de Independencia, el talento de los románticos hispanos los atrajo y convirtió en sus admiradores y seguidores. Durante la Guerra con España (1864-1866), los románticos peruanos desempeñaron un papel muy importante gracias a su copiosa poesía patriótica y nacionalista, leída y recitada en muchas ocasiones, y difundida por medios diversos. Sus obras recrearon algunas páginas de la Historia del Perú así como censuraron a los españoles de la Conquista y del Virreinato. Palabras claves: Románticos peruanos, escritores españoles, Guerra con España (1864-1866), poesía patriótica, Historia del Perú Peruvian romantics participated outstandingly in the literary production of the years 1840 to 1880. Despite having been formed in an anti-Spanish political environment, inherited from previous generations and the War of Independence, the talent of the Hispanic romantics attracted them and turned them into their admirers and followers. During the War with Spain (1864-1866), the Peruvian romantics played a very important role thanks to their rich patriotic and nationalist poetry, read and recited on many occasions, and disseminated by diverse means. Their works recreated some pages of the History of Peru as well as censures to the Spaniards of the Conquest and the Viceroyalty. Keywords: Peruvian romantics, Spanish writers, War with Spain (1864-1866), patriotic poetry, History of Peru.
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Mariátegui: Reader of Poetry
(Universidad de Chile, Facultad de Filosofia y Humanidades, Departamento de Literatura, 2023-05-01)
This article studies Mariátegui as a reader of poetry, that is, as a critic who found in poetry an object of questioning and a place to demonstrate the political fertility of the imagination. Mariátegui proposed three categories to map the different aesthetics tendencies occurring during the first decades of the twentieth century: “pure lyricism”, “absolute nonsense” and “revolutionary epic”. The aim of this article is to comment on each of them within the framework of a theoretical option that understands poetry as a device to broaden the concept of reality and to acquire, from there, a more complex understanding of the social world and the functioning of subjectivity.
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César Vallejo. Introduction
(2023-11-02)
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Contrapunto
(Pontificia Universidad Católica del Perú, 2023-10-16)
This project questions the dialogue between photography and poetry. The image summons a poem and this, in turn, summons another image within the framework of an unfolding of questions about the conditions in which we inhabit the world. The sequence dialogues with that which concerns oneself and with that which opens and closes life in dynamics of pleasure and suffering. The idea is that both registers overdetermine each other to correspond, to produce a friction, to mark the opacity of an experience, to open lines of meaning, to point to that which has no word or to try to border on something unnamable. What is the dialogic behind the monologue of artistic production? The project emerges as an aesthetic exploration of two people who have tried to re-articulate different discourses and who have sought another way of conversing.
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El abordaje de la obra poética de Blanca Varela en la exposición Aniquilar la luz o hacerla (Arequipa, 2022-2023)
(Pontificia Universidad Católica del Perú, 2025-12-04)
This review proposes a reading of Blanca Varela's poetics in counterpoint with the artistic exhibition based on her work, held in Arequipa between 2022 and 2023 and sponsored by the BBVA Foundation. It seeks to establish connections between Varela's poems and contemporary visual artistic work, and to specifically explain how his work is fundamental in the visual work of 18 Peruvian artists, who used his poetic work to carry out their personal artistic inquiries.
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