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Item type:Publication, Archive, mirror games, communality and poetry out of itself in Naciste pintada by Carmen Berenguer: Notes for a rereading(Pontificia Universidad Catolica de Chile, 2024-12-01)Twenty-five years after the publication of Naciste pintada by Carmen Berenguer, this article proposes to put into dialogue the most consolidated lines of interpretation about this book with some new approaches. These include the importance of the figure of the mirror games in its textual configuration, the questioning of established archives, the proposal for alternative archives, communality, and the commitment to the condition of poetry as a genre that is “outside of itself”. - Some of the metrics are blocked by yourconsent settings
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Item type:Publication, Contrapunto(Pontificia Universidad Católica del Perú, 2023-10-16)This project questions the dialogue between photography and poetry. The image summons a poem and this, in turn, summons another image within the framework of an unfolding of questions about the conditions in which we inhabit the world. The sequence dialogues with that which concerns oneself and with that which opens and closes life in dynamics of pleasure and suffering. The idea is that both registers overdetermine each other to correspond, to produce a friction, to mark the opacity of an experience, to open lines of meaning, to point to that which has no word or to try to border on something unnamable. What is the dialogic behind the monologue of artistic production? The project emerges as an aesthetic exploration of two people who have tried to re-articulate different discourses and who have sought another way of conversing. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, El abordaje de la obra poética de Blanca Varela en la exposición Aniquilar la luz o hacerla (Arequipa, 2022-2023)(Pontificia Universidad Católica del Perú, 2025-12-04)This review proposes a reading of Blanca Varela's poetics in counterpoint with the artistic exhibition based on her work, held in Arequipa between 2022 and 2023 and sponsored by the BBVA Foundation. It seeks to establish connections between Varela's poems and contemporary visual artistic work, and to specifically explain how his work is fundamental in the visual work of 18 Peruvian artists, who used his poetic work to carry out their personal artistic inquiries.1