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    Dibujando el rostro de Lima: el mapa de Perrottet y los imaginarios de modernidad del siglo XX
    (Pontificia Universidad Católica del Perú, 2022-12-14)
    This article is part of the research framework of my master's thesis entitled Los mapas de Lima: construcción de representaciones de la ciudad a través de sus planos (1977-2021), which reflects on the construction of representations of Lima through its maps, around the idea of "modernity" and was a reference for the urban changes that occurred throughout the twentieth century. These changes derived from historical processes, such as the rural migrations of the seventies and eighties, fragmented the physical and social organization of the city and placed some in privileged positions and others in marginal positions. lt that context, the first street guide of Lima for commercial use was created by the Swiss Oliver Perrottet in 1977 as a contribution to the process of "modernization" of the city, which was conveniently used by the State and Lima's elite to reproduce an ideological discourse around their ideals of "modernity. By means of this emblematic map of Lima, it will be revealed that although maps are seen as objective tools of cartography, they also act as devices of power and construct representations of the city that contribute to the formation of urban imaginaries that normalize marginalization, injustice, relationships of inequality and a sense of not belonging to one's own city.
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    Estudio paisajístico de los aspectos biofísicos y antrópicos en dos espacios urbanos de la ribera del río Rímac en Lima, Perú
    (Pontificia Universidad Católica del Perú, 2024-12-10)
    The objective of this paper is to describe and contrast the biophysical and anthropic aspects in two urban spaces adjacent to the Rímac River in the city of Lima: the Malecón de la Amistad, and the viewpoints of the old Reserved Zone project of the Rimac River. The approach is qualitative with a descriptive scope and the landscape analysis criteria of Castillo et al. (2014) to highlight the forms of use enabled by anthropic intervention in relation to the natural ecosystem. The results suggest that these spaces have been intervened to direct the movement of their visitors, but in both cases the material elements of the urban scene show a precarious integration between the biophysical and the anthropic, which reflects a contradictory interventionism that imposes and cancels various forms of use for visitors, exacerbating the spatial fragmentation.