3. Producción
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Item type:Publication, Appropriation cinema at the dawn of the digital age: Reflections from Harun Farocki's work(Universidad de Lima, 2020-12-01)Harun Farocki's work (1944-2014) has spanned for more than five decades, and has dealt primarily with the image, its meanings, its relationship with the mass ideology, and the possibilities and limits of its automation and mechanization in the digital age. By means of the found footage technique, Farocki has established throughout his career different analytical strategies that have allowed him, through his film works, to propose an exhaustive review and criticism of the image and its implications. This essay seeks to propose reflections, based on Farocki's work, on the politics of the image, the relationship with the author/producer, and its role in ideological, political and social spheres. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Cine actual y representación queer: la heteronormativa fórmula de la industria cinematográfica(Pontificia Universidad Católica del Perú, 2023-11-22)Cinema is a form of artistic expression that has a significant impact on society, which implies that it is not limited to entertainment, but that its content also has great relevance in the perceptions of individuals. Thus, through film productions, topics such as racism, classism, machismo, among others, have been addressed. In particular, this essay will address the representations of the LGBTIQ+ community, which has had more and more relevant characters on the screen; which, although it seems like an important advance in community acceptance, hides still latent stigmatizations. In that sense, this essay aimed to demonstrate that LGBTIQ+ representations in films and series of the 21st century, for the most part, are denigrating and inappropriate because they have been constructed from heteronorm. To support this statement, the archetypes present in the cinema that constructs queer characters were studied and their condition as reinforcers of stereotypes was demonstrated. In this way, techniques are evident within the film industry that prevent full inclusion in respect of sexual identities.