3. Producción
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Item type:Publication, ¿Es posible detener la deforestación en la Amazonía peruana?(Pontificia Universidad Católica del Perú. Instituto de la Naturaleza, Tierra y Energía (INTE-PUCP), 2022)There are conservatively 9.6 million deforested hectares in the Peruvian Amazon. Out of them only 1.9 million support crops and livestock produced each year. The remaining ones, that is four hectares out of every five, is underused or abandoned and partly degraded. It is also known that each hectare in agricultural production produces one-third to one-half of what it could if well-known agricultural techniques were applied. However, deforestation continues at an increasing rate, with 190,000 ha of forests destroyed in 2020. Part of the problem is lack of technical and credit assistance for producers, as well as disorderly construction of roads that encourage deforestation. However, the main obstacle is that most of the deforestation is informal and occupies lands classified as suitable for forestry that cannot be granted as property by law and in which mid- and longterm investments are not made for that reason. Therefore, legalizing ownership of around seven million deforested hectares is proposed to stop deforestation. These are already occupied and it is technically, economically, and sustainably feasible to produce crops in them, applying proven strategies such as agroforestry, permanent crops, and reforestation. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Cameraless photography: The sublime art of Roberto Huarcaya(University of Bologna, 2022-01-01)Este ensayo estudia los “amazogramas” de Roberto Huarcaya a partir de la categoría de lo sublime. Sostiene que nos encontramos a uno de los proyectos más interesantes en el arte latinoamericano contemporáneo. En su intento por representar lo irrepresentable, la selva se impregna en el papel alterando muchas de las convenciones clásicas del arte fotográfico. Estas imágenes son sublimes porque carecen de límites precisos y dan cuenta de una energía, una fuerza disruptiva o una especie de “materia inmaterial” que intenta capturarse como límite. Se trata de imágenes que, por un lado, regresan al origen de la tradición fotográfica y, por otro, dan testimonio con la agonía su propio lenguaje (en sus quiebres, en sus roturas, en sus contrastes, en su propia incompletud) de lo que queda de la naturaleza en el contexto una racionalidad utilitaria que ya no conoce un exterior. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Benjamín Saldaña Rocca and the indigenous representation in La Felpa: The first denunciations and their graphic interpretation in the rubber era(Academia Peruana de la Lengua, 2024-07-01)This study aimed to analyze the representations of the Amazonian Indians and the rubber conflict in the texts and images of the Peruvian newspaper La Felpa (1907-1908), published by Benjamín Saldaña Rocca. Thus, in the first part, we examined two columns, entitled “La ola de sangre” and “Los indios del Putumayo”. In the second part, we analyze six illustrations reproduced in some issues of La Felpa to review the paradigms of the time and demonstrate how Robuchon’s photographs inspired the illustrations. Our proposal lies in offering a reading on the importance of collecting critical voices about a dramatic period in our history. We consider this vital to reconstruct the decolonial discourse on the rubber era and on the ideological reproduction that was present in the written media. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Un jardín y algunas selvas(Pontificia Universidad Católica del Perú, 2023-10-16)A garden and some jungles was presented on november 19th, 2022 as a reading performance at Wiels contemporary art center in Brussels. This visual essay is a translation, both in language and medium, and is part of the artist’s research process. The following pages state a series of questions and generate parallels between what is understood by gardens and jungles. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Ganaderos, colonos y la deforestación de bosques primarios en Morona, Ecuador(Pontificia Universidad Católica del Perú, 2023-12-21)The objective of this article is to describe and analyze the productive characteristics and the corresponding environmental impact of the small and medium extensive cattle ranching practiced by colonists-mestizos and settlers belonging to the Shuar ethnic group in the Morona canton, located in the Ecuadorian Amazon. It is undisputable that there are forms of extensive livestock farming that are more sustainable than others, but we believe that the volume of land cleared is a problem that must be addressed. This production system is based on the movement of cattle between pastures on a farm due, among other things, to the low nutritional potential of the gramalote grass. This activity generates deforestation in large extensions of land. Among the factors that accentuate such levels of deforestation are, on the one hand, the larger size of the agricultural units and the need to compensate for the loss in the nutritional potential of the pastures and, onthe other hand, the chrematistic perception of the forests. Extensive livestockfarming, especially among the colonists, has shown a great capacity for resilience over the last forty years. This is despite fluctuations in urbandemand for meat and its environmental impact on the forest. Cattle ranchers in the region have maintained cattle ranching as an important source of income, a capitalization mechanism, a viable activity in a context of relative labor scarcity, and as a means of obtaining social status in a frontier context. In short, as a way of reproducing their family economy. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, The poetics of the journey in the traditional songs of the Kakataibo people(University of Alicante, 2025-01-01)El presente artículo se propone contribuir al conocimiento sobre el arte verbal del pueblo kakataibo, el cual se manifiesta en una compleja red de formas cantadas de lenguaje que se usaron tradicionalmente por miembros de este pueblo en distintos espacios sociales e íntimos. Este sistema establecía una distinción bastante nítida entre géneros que podían ser cantados por hombres y géneros que podían ser cantados por mujeres. Nuestro estudio se centra en un motivo que se repite en varios de las canciones que forman parte de nuestro corpus musical del pueblo kakataibo: el viaje. Mostramos aquí las estrategias poéticas y discursivas empleadas por hombres y mujeres para hablar del viaje: el uso de colores y de metáforas, por ejemplo, pero también la construcción de un yo poético radicalmente diferente para cada caso. El hombre kakataibo canta de sus viajes, se muestra fuerte, valiente y siempre guerrero. Es él quien viaja. La mujer kakataibo, por otra parte, se muestra frágil. Llora recordando a quienes partieron. Ella no viaja, pero se quiebra al ver partir a sus familiares. Se trata de una dualidad que se complementa, un mismo viaje visto desde dos perspectivas distintas, cantadas desde dos yo poéticos distintos. El hombre indestructible y la mujer frágil son, en realidad, dos personajes idealizados que se van construyendo a través de los versos.2