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Language: search.filters.language.SpanishSubject: search.filters.subject.Aesthetics

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    Resistencia y emancipación del “nuevo espectador” en el régimen estético del sentir impersonal
    (Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2022-12-05)
    This paper seeks to establish connections between the diagnoses of art in society by Benjamin, Rancière, and Perniola in order to understand the contemporary aesthetic crisis characterized as a regime of impersonal feeling. To this end, it is intended to clarify Benjamin’s concept of aura and to establish a connection with art and politics that will be amplified with Rancière. The article will address the causes of the lack of autonomy in contemporary aesthetics, pointed by Perniola, to discuss in what way the emancipation of the spectator is possible by playing with the emptiness, the unspeakable, or the shadow of art.
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    La sorpresa en la experiencia estética de la música popular
    (Pontificia Universidad Católica del Perú, 2024-12-10)
    Popular music has used new technologies and the globalizing nature of our time to expand into different species of daily life. We live overstimulated by different rhythms, melodies and sounds. In this diverse context, how do we explain that we like something new? In what follows, we propose to explain the genesis of taste, starting from the temporal structure of surprise proposed by Natalie Depraz: anticipation-impression-resonance. The idea is to understand taste as a possibility of surprise; as a resonance of the first sound experience. In this way, a different perspective on the aesthetics of taste can be offered: outside or differentiating itself from established aesthetic models. Furthermore, it will be possible to understand how surprise participates in the origin of the different musical communities that are responsible for sustaining mass musical productions.
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    El artista dionisíaco como respuesta al mundo contemporáneo, o sobre la validez de la estética de Nietzsche en el siglo XXI
    (Pontificia Universidad Católica del Perú, 2025-12-03)
    The following paper outlines an analysis of Nietzschean aesthetics with the purpose of strengthening its pertinence for a contemporary perspective, based on the premise that the untimely and reactive nature of art turns it into a powerful resource in the face of a landscape whose value system is unfavorable and incongruent. Thus, Nietzsche’s notions of art and Dionysian artist offer a direct solution to the large-scale hostility caused by the many deficiencies of 21st-century burnout society, as understood by Byung-Chul Han.
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