3. Producción
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Item type:Publication, Inca Mitmaqkuna, Chaînes Opératoires, and Pottery Production in the Northern Andes(Cambridge University Press, 2023-10-27)This article investigates the utility of a chaîne opératoire approach centered on technologies of ceramic production for identifying Inca mitmaqkuna archaeologically. Although early documents suggest that the Inca program of resettlement (mitmaq) was massive in scale, archaeologists have had minimal success in identifying such relocated populations. Here we test a novel approach that focuses on technologies of production and associated tool assemblages used within different communities of practice. Previous studies indicate that the ethnic Cañari of southern Ecuador used a distinctive method of pottery manufacture involving a specific chaîne opératoire and a unique set of production-related tools. According to early sources, the Inca deported Cañari peoples to various sectors of Tawantinsuyu. In this article, we investigate the contemporary manufacturing style of ceramics from the Ancash region of north-central Peru—an area where Cañari mitmaqkuna were purportedly resettled—to determine whether distinctive communities of practice potentially representing relocated communities might be visible. The results of this study suggest that it is possible to identify connections among distant communities of practice via a focus on craft production technologies that, in certain historical contexts, may be construed as evidence for the presence of resettled populations. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, A Pilot Study of Ceramic Production in a Residential Compound at Cerro de Oro, Cañete, (550–950 CE), An Urban Settlement in the South Coast of Perú(Taylor & Francis, 2025-01-01)This article presents a synthesis of research on the chaîne opératoire of ceramic production at Cerro de Oro (550–950 CE), a significant archaeological site on the southern Peruvian coast. Specifically, we discuss the association of ceramic paste recipes (clays and added tempers), vessel forms, and decoration within a residential compound to consider the organization of ceramic production. To do so, this study integrates new data with previous results obtained from Mössbauer spectroscopy, x-ray diffraction, and other studies of ceramics from the same and other compounds. The objective is to see if specific forms, decorations, or groups of people may be associated with certain paste recipes. We argue that identifying the absence or presence of these types of associations will allow us to better understand ceramic production at Cerro de Oro and particularly the role residential groups played in this process.1
