3. Producción
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Item type:Publication, Decolonising Andean and Peruvian music: a view from within(Routledge, 2021-01-01)Cultural Europeanisation in Peru has been an aspiration since its independence in 1821. Until 2010 the only institution of higher musical education in Peru had classical European music on a pedestal, rejecting all others, but especially indigenous Andean music. And for the Peruvian state, since its beginnings, the major forms of musical arts were considered to be an expression that originated in the recent history of Europe. This Eurocentric approach was challenged in several instances, such as the revolutionary regime of Velasco Alvarado which rose to power in 1968, that established a series of laws geared towards the building of a new sense of national culture and identity, including music. But also by other initiatives undertaken by the recently created Ministry of Culture in 2010, that makes it possible to hint a path towards the decolonisation of cultural institutions on Peru. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Psychometric properties of a scale of attitudes toward musical genres linked to social groups in Peru(SAGE Publications Ltd, 2022-11-01)The present research seeks to develop a scale that can measure attitudes toward different musical expressions representative of different social groups, such as the Andean and Afro-Peruvian groups. The participants were 312 individuals between 18 and 83 years of age ( M = 32.42, SD = 14.97), and the majority had no professional musical knowledge. First, Exploratory Factor Analysis was performed using the Unweighted Least Squares as the extraction method and using Oblimin rotation for the Andean and Afro-Peruvian musical genres. An identical factorial structure with two dimensions was found for both musical genres, obtaining optimal reliability according to Cronbach’s alpha coefficients. This similarity was verified by performing an invariance analysis, obtaining evidence that the proposed scale can be used regardless of the musical genre. Furthermore, correlation analyses were performed between the dimensions of the attitudes scale and variables such as stereotypes (toward the Andean and Afro-Peruvian social groups) and conservative ideology; the results provided evidence of discriminant validity. Finally, comparisons were made between musicians and non-musicians using the same dimensions of the attitude scale as evidence for criterion validity. The results are discussed based on scale’s optimal psychometric functioning, as well as its implications at the level of intergroup dynamics.