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    Universality of the Triangular Theory of Love: Adaptation and Psychometric Properties of the Triangular Love Scale in 25 Countries
    (Taylor & Francis, 2020-08-12)
    The Triangular Theory of Love (measured with Sternberg's Triangular Love Scale - STLS) is a prominent theoretical concept in empirical research on love. To expand the culturally homogeneous body of previous psychometric research regarding the STLS, we conducted a large-scale cross-cultural study with the use of this scale. In total, we examined more than 11,000 respondents, but as a result of applied exclusion criteria, the final analyses were based on a sample of 7332 participants from 25 countries (from all inhabited continents). We tested configural invariance, metric invariance, and scalar invariance, all of which confirmed the cultural universality of the theoretical construct of love analyzed in our study. We also observed that levels of love components differ depending on relationship duration, following the dynamics suggested in the Triangular Theory of Love. Supplementary files with all our data, including results on love intensity across different countries along with STLS versions adapted in a few dozen languages, will further enable more extensive research on the Triangular Theory of Love.
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    El discurso amoroso de Luz Acmé, alter ego de María Jesús Alvarado, y la búsqueda del marido ideal
    (Groupe de Recherche Amérique Latine Histoire et Mémoire, 2024-01-01)
    En la primera y única novela que publicó, Nuevas cumbres (1923), María Jesús Alvarado relata la fundación de Ciudad Cumbre, una colonia modelo de la sociedad ideal que su creadora, Luz Acmé, instala “en las selvas ubérrimas de Oriente” y en la que habitan 10 000 colonos. Pero el tema central de la novela es la narración de la búsqueda de la pareja perfecta –el esposo, el socio, el amigo–, a quien por sus méritos Luz Acmé le otorgará el rol de cofundador. La sucesión de los pretendientes, aspirantes a formar parte de la pareja fundadora, y las razones por las que son rechazados –a excepción del último–, componen un discurso sobre el amor al que hago dialogar, en el presente trabajo, con los Fragmentos del discurso amoroso, de Roland Barthes. Me interesa destacar cómo la mujer, objeto amoroso en los Fragmentos de Barthes, adquiere voz y agencia en el discurso de Luz Acmé.