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    A atividade notarial e registral em tempos de pandemia (Brasil)
    (Pontificia Universidad Católica del Perú. Departamento Académico de Derecho. Centro de Investigación, Capacitación y Asesoría Jurídica, 2022)
    The COVID-19 pandemic brought a highly complex institutional mission to national legal practice: dealing with judicial and extrajudicial acts dealing with social isolation. Like any new event without regulation by the legal system, notarial and registration acts also had to face this challenge, forcing operators and legislators to create new mechanisms to meet social demands, under the risk of subverting the relevant delegation of the public service by State.
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    "Retelling": Gender and memory in three comics on the Peruvian Armed Conflict “Volver a contar” Género y memoria en tres historietas de Maneras peruanas
    (University of Bologna, 2026-07-29)
    This article examines three comics on the Peruvian Armed Conflict (1980-2000) that reconstruct acts of violence decades after they occurred. They draw on “accompanied memories” co-constructed by the witness and the interviewer. The narratives center on Andean Female characters, thus inviting readings through a gender lens, a perspective almost absent from the Peruvian critical literature on the genre. Given the diversity of stories, styles and visual logics, these characters and their respective processes form a markedly plural and heterogenous group linked by the consistent presence of a “memory companion”.
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    La memoria del corazón: El viaje de Chihiro desde una lectura etnográfica japonesa y amazónica
    (Pedagogical and Technological University of Colombia, 2026-07-21)
    This article proposes an interpretation of Spirited Away (dir. Hayao Miyazaki) based on certain parallels between traditional Japanese culture and Amazonian culture. Drawing on Japanese animist thought (animizumu) and the cosmological reflections of the indigenous nations of the western Amazon, especially the Shipibo-Konibo people, the links between spirituality, ecology, affection, and greed in the film's narrative are explored. Through the analysis of concepts such as kamikakushi, greed as a spiritual disease, the medicinal power of plants, and the performativity of language, a dialogue is established between ancestral Japanese narratives (especially Yanagita's The Legends of Tōno) and Amazonian indigenous epistemologies. It is argued that the film functions as a symbolic watershed that reactivates an “indigeneity of being” and articulates a cordial ethic of care and reciprocity with the beings of the territory, both human and non-human. Finally, it is proposed that animation can be understood as a tool for transmitting atavistic knowledge, capable of contributing to a critical cosmopoetics in the face of the dehumanizing effects of hegemonic modernity. This reading points to an ecological ethic that transcends cultural boundaries and affirms a relational vision of the world based on affection and memory.