3. Producción
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Item type:Publication, Resistencia y emancipación del “nuevo espectador” en el régimen estético del sentir impersonal(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2022-12-05)This paper seeks to establish connections between the diagnoses of art in society by Benjamin, Rancière, and Perniola in order to understand the contemporary aesthetic crisis characterized as a regime of impersonal feeling. To this end, it is intended to clarify Benjamin’s concept of aura and to establish a connection with art and politics that will be amplified with Rancière. The article will address the causes of the lack of autonomy in contemporary aesthetics, pointed by Perniola, to discuss in what way the emancipation of the spectator is possible by playing with the emptiness, the unspeakable, or the shadow of art. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Crisis, democratización y reproducción: el potencial revolucionario de un arte sin aura(Pontificia Universidad Católica del Perú, 2025-12-03)The aim of this paper is to analyze Walter Benjamin’s proposal on the revolutionary potential of art with the change in its conditions of production and reception. To this end, we will study the social and political impact of the emergence of art without aura, which challenges the authority of the aesthetic object and establishes new connections with its audience. We will examine the risks brought about by the democratization of art to understand how the critical power of post-aura art opens up a collective space for questioning and transforming established structures.4