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Author: search.filters.author.José Agustín Haya de la Torre

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    Metsa bewa: A proposed translation of Chonon Bensho's Shipibo-Konibo poetry
    (Universidad de Alicante, 2024-01-01)
    This article proposes an approach to the rationality-sensitivity of the Shipibo-Konibo indigenous nation, from the Peruvian Amazon, based on the translation of two poemssongs and the methodological approach that guides the process is analyzed, explaining the reasons for the selection. lexical to account for the rational-affective field of the Amerindian poetics of the visual artist, poet and researcher Chonon Bensho. To do this, first the condition of the transition from an indigenous Amazonian oral language to alphabetic writing is discussed. Then, the establishment of the alphabet and the ideological positions that promote it are analyzed. Next, we realize the elements that must be considered in a translation/translation of Shipibo so that the target text expresses the ontologies, epistemologies and aesthetic inclinations of this language. Likewise, it is explained why the appropriate procedure would consist of a poetic translation.
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    La poética del territorio de Chonon Bensho
    (National Autonomous University of Mexico, 2023-03-07)
    El presente artículo trata de entender la poesía de la artista y poeta shipibo-konibo Chonon Bensho (Comunidad Nativa Santa Clara de Yarinacocha, Región Ucayali, Perú, 1992), primero, en relación con las problemáticas que surgen en torno a las desigualdades que establece el pensamiento hegemónico de la modernidad en torno a la valoración de la oralidad y escritura. A partir de esa problemática, y de los intentos de superarla, se analizan las aspiraciones y resignificaciones de la apuesta poética de Chonon en el contexto más amplio de la irrupción de poetas, artistas y pensadores indígenas en el espacio público nacional y en las instituciones académicas-artísticas. Luego de esas reflexiones contextuales, se interpretará la epistemología visionaria y la ontología multinaturalista de la poesía de Chonon y su relación con el territorio ancestral, para al final, a manera de conclusión, la posibilidad de esta propuesta poética para interpelar a una civilización atravesada por las preocupaciones ecológicas y las consecuencias negativas de sus prácticas ecocidas.
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    Jene nete, el mundo de las aguas en la obra de Chonon Bensho: la complementación de los saberes ancestrales y la modernidad
    (Universitat Autonoma de Barcelona, 2023-07-01)
    This article proposes to analyze the world of waters in the plastic and poetic work of the shipibo-konibo artist Chonon Bensho in order to understand how ancestral knowledge and hegemonic modernity complement and dialogue in her aesthetic proposal. For this, two paintings and a poem linked to one of them are analysed, and the artist´s testimonies are taken into account. Thus, the process of re-signification of knowledge and the possibilities for conceiving a modernity that coexists with indigenous knowledge is addressed.
    Scopus© Citations 1  11