3. Producción
Browse
Search Results
- Some of the metrics are blocked by yourconsent settings
Item type:Publication, “Yo os perdono”. Clorinda Matto and the Battles over El Perú Ilustrado "Yo os perdono". Clorinda Matto y las batallas por El Perú Ilustrado(Pontificia Universidad Católica del Perú, 2026-01-01)This article examines the epistolary masquerades and posing that Clorinda Matto deployed as strategy to construct her defense against the series of denunciations, attacks, and public punishments imposed on her by the Peruvian Church following the publication of "Magdala" in El Perú Ilustrado (EPI). It suggests reading the core corpus, consisting of three letters-private and public-addressed by the novelist to various ecclesiastical authorities, from the perspective of subsequent shifts that "the stratagems of the weak" (Ludmer) would undergo in turn-of-the-century Peru when women writers gained access to the press and their causes became public. This rhetoric of defense is part of a long-standing genealogy which evinces the conflict arising between the place the female subject assigns herself and the place assigned to her by those in power. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, "Retelling": Gender and memory in three comics on the Peruvian Armed Conflict “Volver a contar” Género y memoria en tres historietas de Maneras peruanas(University of Bologna, 2026-07-29)This article examines three comics on the Peruvian Armed Conflict (1980-2000) that reconstruct acts of violence decades after they occurred. They draw on “accompanied memories” co-constructed by the witness and the interviewer. The narratives center on Andean Female characters, thus inviting readings through a gender lens, a perspective almost absent from the Peruvian critical literature on the genre. Given the diversity of stories, styles and visual logics, these characters and their respective processes form a markedly plural and heterogenous group linked by the consistent presence of a “memory companion”.