3. Producción
Browse
6 results
Search Results
- Some of the metrics are blocked by yourconsent settings
Item type:Publication, Nineteenth-century women writers and the nation(Oxford University Press, 2022-08-18)This chapter provides an account of the robust emergence of women writers in nineteenth-century Latin America and of the narratives they produced, focusing on the complex relationship between national and gender ideology, the literary field and the consolidation of the new republics, especially in the second half of the century. Rather than focusing on aestheticist frameworks for the myriad novels, novellas, and short stories; poems, essays, and plays; and diaries, letters, and press articles produced by them, it examines their interaction with the dominant male discourse and the strategies that women of letters developed in order to move beyond the age-old patriarchal mandate of “not saying what they knew, or saying that they didn’t know, or saying the opposite of what they knew” (Ludmer 48).1 If intellectuals of the so-called national period had an impossibly idealized concept of the literary woman, later critics’ and writers’ respect for them, from modernistas and throughout the twentieth century, was negligible. This rich and diverse corpus of writing published in the periodical press and in book form, from Chile to Mexico, had all but disappeared from literary memory and from the canon until it was rediscovered more than a century later by feminist activists in Latin American, (USA) North American, and European academia from the late 1990s and beyond. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Mariátegui: Reader of Poetry(Universidad de Chile, Facultad de Filosofia y Humanidades, Departamento de Literatura, 2023-05-01)This article studies Mariátegui as a reader of poetry, that is, as a critic who found in poetry an object of questioning and a place to demonstrate the political fertility of the imagination. Mariátegui proposed three categories to map the different aesthetics tendencies occurring during the first decades of the twentieth century: “pure lyricism”, “absolute nonsense” and “revolutionary epic”. The aim of this article is to comment on each of them within the framework of a theoretical option that understands poetry as a device to broaden the concept of reality and to acquire, from there, a more complex understanding of the social world and the functioning of subjectivity. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, - Some of the metrics are blocked by yourconsent settings
Item type:Publication, - Some of the metrics are blocked by yourconsent settings
Item type:Publication, - Some of the metrics are blocked by yourconsent settings
Item type:Publication, 1