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Access type: UnknownAuthor: search.filters.author.Emilio Bustamante

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    Peruvian regional cinema: Transtextuality, gender and violence in Bullying maldito, la historia de María Marimacha
    (Springer, 2020-12-17)
    This chapter analyses the connections between the Ayacuchean film Bullying maldito, la historia de María Marimacha [Damned Bullying, the Story of María Marimacha] (Mélinton Eusebio, 2015), American horror and B-series movies, and the Peruvian legend of María Marimacha. It also discusses the film's poster in relation to testimonies of sexual abuse suffered by women in Ayacucho during the Peruvian internal armed conflict. These transtextual connections reveal how the film and its poster together critique the heteropatriarchal norms and the fear of feminine agency held in Andean communities. They also speak to the wider context of the violence suffered by women in the region during the 1980s and 1990s.
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    Peruvian Regional Cinema
    (Springer International Publishing, 2023-01-01)
    This chapter gives an overview of Peruvian Regional Cinema, which the authors broadly define as filmmaking that takes place outside of Lima and is a low-budget cinema with artisanal forms of production and distribution using channels outside of the multiplex circuit. The chapter explains the reasons for its emergence, describes the profiles of regional filmmakers and explains how the production, filming, distribution and exhibition systems of regional films work. The chapter also analyzes the genres, as well as the narratives, used in these films. Finally, the analysis considers support provided by the state for regional filmmaking.
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    REPRESENTATIONS OF THE ANDEAN CONDEMNED IN PERUVIAN REGIONAL CINEMA
    (Asociación Peruana de Retórica, 2026-02-15)
    El cine regional peruano incorporó al universo cinematográfico a personajes de la literatura oral andina. El condenado es uno de esos seres que aparece en películas producidas en regiones andinas durante el presente siglo, pero con características nuevas respecto de cómo ha sido descrito en los relatos orales del pasado recopilados por Lira, Monge, Ansión, Payne y Morote Best, entre otros. Comúnmente definido como un no-muerto que paga eternamente una transgresión devorando a seres humanos, en películas de regiones ha sido representado como una especie de vampiro, un zombi caníbal, un niño estigmatizado o un oscuro vengador. Ha sido empleado, también, como símbolo de violencia latente en las comunidades. En el presente artículo, mediante el análisis formal narrativo y estilístico de las películas, se detallan tales representaciones y se indaga por la influencia en estas de ficciones cinematográficas foráneas.
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